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Re-Mastering Engineer: Stephan (SME Records, NY). SACD Producer: Moto Uehara (SME Records, Japan). This belongs in even the most rudimentary jazz collection.Īt Columbia 30th Street Studio, New York. Countless other musicians built on its pioneering experiments, yet it’s amazingly accessible for all its advanced thinking, a rare feat in any art form. It doesn’t just sound sophisticated - it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Some have come to disdain Time Out as its become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it’s really very good in spite of the people who like it. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Brubeck’s classic “Blue Rondo à la Turk” blends jazz with classical form and Turkish folk rhythms, while “Take Five,” despite its overexposure, really is a masterpiece listen to how well Desmond’s solo phrasing fits the 5/4 meter, and how much Joe Morello’s drum solo bends time without getting lost. That’s a testament to Brubeck and Desmond’s abilities as composers, because Time Out is full of challenges both subtle and overt - it’s just that they’re not jarring. Buoyed by a hit single in altoist Paul Desmond’s ubiquitous “Take Five,” Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. But for once, public taste was more advanced than that of the critics. It was a risky move - Brubeck’s record company wasn’t keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz’s rhythmic foundation. In memory of Dave Brubeck (Decem– December 5, 2012)ĭave Brubeck’s defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. Or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 736 MB The Dave Brubeck Quartet – Time Out (1959)

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